By Bernard W. Bell
This quantity is made from 5 sections, together with chapters on W. E. B. DuBois’s conception and trope of double attention, an unique conception of residually oral types for interpreting the African American novel, an issue for an African Americentric vernacular and literary culture, and a deconstruction of the myths of the yank melting pot and literary mainstream. Bell considers texts via modern writers like Toni Morrison, Alice Walker, William Styron, James Baldwin, and Jean Toomer, in addition to works by way of Mark Twain, Frederick Douglas, and William Faulkner, In a method that levels from lyricism to the vintage jeremiad, Bell emphasizes that his paintings bears the imprint of many significant impacts, together with his mentor, poet and pupil Sterling A. Brown, and W. E. B. DuBois. Taken jointly, the chapters show Bell’s relevant position as a revisionist African American literary and cultural theorist, historian, and critic.
Bearing Witness to African American Literature can be a useful creation to significant concerns within the African American literary culture for students of yank, African American, and cultural studies.
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Bearing Witness to African American Literature: Validating and Valorizing Its Authority, Authenticity, and Agency (African American Life Series) by Bernard W. Bell